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24th EGOS Colloquium 2008  
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Sub-theme 20:

Against the Grain: Sets, Setups, and Upsets in Creative Sectors

 

Convenors:

Jesper Strandgaard Pedersen
Copenhagen Business School (Denmark)
js.ioa@cbs.dk

Silviya Svejenova
ESADE Business School (Spain)
silviya.svejenova@esade.edu


 

Session I: Thursday, July 10 – 11:00–12:30

Jesper Strandgaard and Silviya Svejenova
Welcome and introduction to the sub-theme

Eric Zhao, Stan Xiao Li and Masakazu Ishihara
Category spanning through naming strategy: Overcoming categorical discount in the US motion picture industry

Ricardo Amaral Filho and Charles Kirschbaum
Shooting the messenger: Category production and subversion in the Brazilian publishing industry

Israel Drori and Benson Honig
The return of internal legitimacy: The role of creativity in building legitimacy during the life cycle of an internet firm
 

Session II: Thursday, July 10 – 14:00–15:30

Candace Jones, Silviya Svejenova and Felipe Massa Gorenstein
Rebels with a cause: How creative geniuses transform cultural systems

Damon Philips
Market social structure and the role of cities in the emergence of the jazz canon, 1917–1929

Grégoire Croidieu and Phillippe Monin
Selective adoption and diffusion failure in Bordeaux Saint-Émilion: A closer look at the Garagist identity movement, 1990–2006

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15:30–16:15: Sub-theme event

Creativity in the Wine Industry

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Session III: Friday, July 11 – 9:00–10:30

Amélie Boutinot, Vincent Mangematin and Séverine le Loarne
Altering creative sector institutions: The case of the architectural contest

Charles Clemens Rüling
Animating animation: The case of the Annecy International Animated Film Festival

Carmelo Mazza and Jesper Strandgaard
Who's last? Challenges and advantages for late comers in the film festival field
 

Session IV: Friday, July 11 – 14:00–15:30

Stoyan Sgourev
Wall Street meets Wagner: Formation and impact of a multiplex institutional logic

Silviya Svejenova, Tina Dacin and Rasha Nasra
Norm violation in institutional fields

Luis Vives
Challenging what's mainstream: Displacing the center of gravity in creative industries
 

Session V: Friday, July 11 – 16:15–17:45

Babis Mainemelis, Sevasti-Melissa Nolas and Stavroula Tsirogianni
Auteurs as microcosms: Identity play and career creativity in Hollywood, 1967–2007

Doris Eikof and Kathleen Riach
From playing to professional: Setting up a musician's identity

Gino Cattani, Mariachiara Colucci and Simone Ferriani
Core-periphery dynamics and individual creativity: A conceptual model
 

Session VI: Saturday, July 12 – 9:00–10:30
Creative Market

Creative Market (1)

Timothy Scott and Iain Munro
Event, space and the aesthetics of production at the Edinburgh Fringe

Christine Munkgard
Roskilde Festival: Contemporary festival design. It's not about music!

Céline Abecassis-Moedas
Characterization of design and designer process: A typology of ('Designer Manufacturer Retailer') triad configurations

Válerie Petit
Upsetting traditions in the French fashion: The seasons of a charismatic CEO in European fashion industry

Elizabeth Gulledge
Space, meaning and power: The construction of field boundaries

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Creative Market (2)

Eve Lamendour
Screen bosses: The upsetting image of management

Barbara Slavich
Attracting, managing and retaining creative talents: Evidence from creative sectors

Grete Wennes
Symphonic creativity and management: The sets, setups and upsets in management of creativity in symphonic orchestras

Rita Bissola and Barbara Imperatori
"Better be alone than …" Individual and collective dimension of creativity. A multilevel model
 

Session VII: Saturday, July 12 – 11:15–12:45

Maxim Voronov and Dirk De Clerq
Upsetting art, upsetting commerce: From separate worlds to selective enactment

Jonathan Sapsed, Juan-Mateos Garcia and Andrew Grantham
Upsetting and settling down genres: The role of organisation practice in the reproduction of cultural products

Yuri Mishina, Jamal Shamsie, Michael Mannor and Federico Aime
The role of financial resources, experience, and working relationships on the success of film projects


Jesper Strandgaard and Silviya Svejenova
Wrap-up and directions for future research

 

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